A ball bounces in twenty-four different ways – each slightly different; none are the “best” bounce.

As one views through the set, increasingly-complex graphic elements – such as animated shadows and glares – are gradually phased-into the animations.

So, on the one hand, one views change.

(Each bounce is a “better” representation of a ball bounce).

However, on the other hand, one also views non-change.

(None of the bounces – no matter how graphically complicated – are “the” bounce.)

An actor (represented here by a red ball) enters frame-left, bounces, and, then, leaves frame-right (they are born, they act, and, then, they die) in-and-out-and-back-again forever.