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	<title>Post Internet &#187; constantdullaart</title>
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		<link>https://122909a.com.rhizome.org/?p=88</link>
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		<pubDate>Wed, 17 Mar 2010 01:16:56 +0000</pubDate>
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				<category><![CDATA[constantdullaart]]></category>
		<category><![CDATA[constant dullaart]]></category>
		<category><![CDATA[domain]]></category>
		<category><![CDATA[duchamp]]></category>
		<category><![CDATA[readymade]]></category>
		<category><![CDATA[series]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[suggesteddomain.com]]></category>
		<category><![CDATA[virtual]]></category>

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		<description><![CDATA[Constant Dullaart’s suggesteddomain.com is a looped series of 15 unique, link-generator websites parked on “empty” Web domains – domains that have no content other than whatever advertising is temporarily parked there.
These 15 automatically-looping Web domains are themselves each composed of two words separated by a period (or “dot”) which complete (in a close paraphrase anyway) [...]]]></description>
			<content:encoded><![CDATA[<p>Constant Dullaart’s <em>suggesteddomain.com </em>is a looped series of 15 unique, link-generator websites parked on “empty” Web domains – domains that have no content other than whatever advertising is temporarily parked there.</p>
<p>These 15 automatically-looping Web domains are themselves each composed of two words separated by a period (or “dot”) which complete (in a close paraphrase anyway) a quote which is attributed to Marcel Duchamp.</p>
<p>It reads:</p>
<blockquote><p>He(dot)took<br />
…<br />
An(dot)article<br />
…<br />
Of(dot)life<br />
…<br />
Placed(dot)it<br />
…<br />
So(dot)that<br />
…<br />
Its(dot)useful<br />
…<br />
Significance(dot)disappeared<br />
…<br />
Under(dot)the<br />
…<br />
New(dot)title<br />
…<br />
And(dot)Point<br />
…<br />
Of(dot)View<br />
…<br />
Created(dot)anew<br />
…<br />
Thought(dot)for<br />
…<br />
That(dot)object<br />
&#8230;<br />
Per(dot)iod</p></blockquote>
<p>“He CHOSE it. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.”</p>
<p>By gradually unveiling Duchamp’s conceptualization of the readymade, Dullaart gives new life to the concept of the readymade itself.</p>
<p>The readymade is interesting not so much as a theoretical default, but more as a necessarily shifting ideal.</p>
<p>One way to read the readymade is to say that it shifts an ordinary object into a different context and, by doing so, allows the viewer of the work to see it for itself – divorced from any use value.</p>
<p>If the term were to be confined to physical commodities like snow shovels, then it might not be relevant in a world of both physical <em>and </em>virtual commodities – snow shovels <em>and </em>snow shovel websites.</p>
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